It feels great to finish writing a book.
Then it doesn't.
It's a strange letting go of a family that's taken residence in one's mind for months and welcoming a new one in.
Being in the midst of writing a novel is like being gainfully employed -- knowing what you're going to do each day. Having purpose.
Finishing the novel is like being unemployed. Laid off. Thank you very much for your services. There's the door.
I remember hearing Jodi Picoult say as soon as she finishes a book, she begins a new one. That same day.
I wish I could do that. I can't.
After I've given all my energy to a book, I'm emotionally spent. Empty.
The
time between books is for refilling, for noticing stories and great
character names and connections between things I care about. It's time
to let ideas light up my mind. To take furious notes. To read piles of
books, hoping to be sparked by inspiration.
The
time between books is for reconnecting with friends, taking long walks,
spending time focusing on my family's needs, doing mundane jobs I've
long neglected at home.
But the time between books is sometimes uncomfortable.
I want to be productive. I want to write every day, but I'm not yet ready. I have to fill the well, gather momentum and the willingness to lose
myself in another family's story -- a family that will feel so real,
I'll worry for them, lose sleep over them and root for them even though I know the odds are against them.
I'm more like Linda Sue Park, who finds herself trolling the want ads for teaching jobs when she's between books.
Writing days are hard sometimes. Frustrating other times. And sometimes they are smooth sailing with fat page counts. Sometimes filled with exciting discoveries and heartbreaking happenings. Sometimes they are slogging through the muck of a sluggish mind. Other days, the fingers can't fly fast enough to keep up with the story.
Writing days -- good, bad or ugly -- are where I belong, where I'm always headed.
The days spent writing are the ones I feel most at home with myself and with the world.
Postscript: I wrote this post last night. This afternoon, my agent called with brilliant revision suggestions for Death by Toilet Paper. So, it looks like I'm happily employed again. For now.
Showing posts with label Linda Sue Park. Show all posts
Showing posts with label Linda Sue Park. Show all posts
March 4, 2013
December 12, 2011
40 Reasons I Love S.C.B.W.I.
Forty years ago, Lin Oliver and Steve Mooser, noticed something was missing -- a community of children's book writers (and eventually, illustrators) who support, educate and inspire one another.
So they went about the business of creating it.
When they started S.C.B.W.I. (SOCIETY OF CHILDREN'S BOOK WRITERS AND ILLUSTRATORS), Lin and Steve couldn't have imagined the people around the globe they'd positively impact . . . or how hard those initials would be to pronounce. "Scubahwi?"
Here's an homage to my favorite community on the planet:
DREAMS COME TRUE . . .
1. I connected with my uber-agent, Tina Wexler, from International Creative Management through the S.C.B.W.I. message board.
2. Jay Asher's dreams came true. Did you know that before Jay became a best-selling author, he won S.C.B.W.I. creative writing contests and grants with his funny, clever entries?
3. Bruce Hale, author of the popular Chet Gecko series, met his agent, Steven Malk, at the S.C.B.W.I. conference in L.A. in 1998. (That's the same year that Steven Malk connected with Sonya Sones and acquired her fabulous novel in verse, Stop Pretending: What Happened When My Big Sister Went Crazy.)
4. Debbie Ridpath Ohi, illustrator and writer, exuberantly shares how S.C.B.W.I. made her dreams come true in this YouTube video:
5. With international reach and local critique groups, S.C.B.W.I. is helping make dreams come true every day.
RAISING THE BAR . . .
6. Thanks to the standards, education and support of this organization, the quality of children's literature has increased exponentially.
7. If writers or illustrators are members of S.C.B.W.I., an agent/editor/art director knows they have taken at least one giant step toward professionalism.
8. It's good to have the combined muscle and companionship of a huge, world-wide organization. It makes one feel less alone in an inherently lonely profession.
9. With master classes by Tomie dePaola and Richard Peck, one can't help but improve one's craft. (I shared the Richard Peck DVD with our local critique group, and it was a big hit. "Pass the popcorn, please.")
OPPORTUNITIES . . .
10. As S.C.B.W.I. grows, they try to provide opportunities for the pre-published and the published. Their newest offering is a grant for students studying illustration to attend conferences.
11. The year I was nominated for the Sue Alexander Award, I'd never felt so much validation. Thank you!
12. Speaking of opportunities, in an effort to recognize an often ignored genre of children's literature, S.C.B.W.I. created the Sid Fleischman Humor Award.
13. And I had the great pleasure of winning the award in 2009 for my book As If Being 12-3/4 Isn't Bad Enough, My Mother Is Running for President!
14. S.C.B.W.I. flew me to L.A. to accept the award. You'd think I'd be nervous giving a speech in front of 1,000 people, but they were my people. My community of children's book lovers. And it turned out that surrounded by my community and my friends and family, I had the best weekend of my life.
15. There are so many grants, awards, etc. available. Did you know that Ruta Sepetys's novel, Between Shades of Gray, is now a New York Times best-seller and has received 4 starred reviews . . . and in 2007, Ruta won an SCBWI Work-in-Progress Grant?
16. Three years before that, Cynthia Lord won a Work-in-Progress Grant. She went on to write several books: Touch Blue, Hot Rod Hamster, Happy Birthday Hamster and her Newbery-honor-winning book, Rules.
17. Which grant or award will have YOUR name on it?
NATIONAL CONFERENCES . . .
18. I had the great pleasure of attending the national summer conference in L.A. three times -- 2001, 2005 and 2009. And I hope to get there this year, too. Don't forget the New York conference, January 27th - 29th!
19. At the conference in 2009, I met amazing people like Karen Cushman, Ellen Hopkins, Varian Johnson and Mary Hershey. The authors, illustrators, editors and agents are all so accessible at these conferences!
20. I remember hearing Sherman Alexie's opening talk and thinking, "Well, I could leave right now and I've gotten so much out of this conference." But of course, there was more. Much more!
21. Dove Bars. Yeah, S.C.B.W.I. is like that. Served those delicious treats between sessions.
22. And crazy, wild parties. The D.J. at the party I attended said, "Who knew children's book authors and illustrators were such a wild bunch?" Hadn't he ever read Where the Wild Things Are? The wild things are at S.C.B.W.I. conference parties!
LOCAL CONFERENCES . . .
23. While S.C.B.W.I. has a global reach, it's the local component that gives members access to great resources, like critique groups, meet-ups and conferences. (Check out regional events here.)
24. I floundered for years after I moved from Philadelphia to South Florida. Where were my people? More than a decade ago, Linda Bernfeld, Saundra Rubiera and a group of dynamic volunteers put on an amazing conference with excellent speakers in a school cafeteria -- serving lunch and dessert -- all for $35. I had found my tribe.
25. I've gone to nearly every annual Florida conference since, watching it grow and flourish.
26. It was at the regional conference that Sid Fleischman reached over and touched my arm and said, "That was a fantastic speech you gave." Sid Fleischman! I'm so, so grateful I got to meet this kind, gentle and generous man.
27. It was at the FL regional conference that I heard Linda Sue Park talk about story structure -- point of view, showing, not telling, first person vs. third person, etc. (If you want to hear Linda Sue Park and Rebecca Stead talk about winning the Newbery Medal and other stuff, check out Katie Davis's Brain Burps Podcast.)
28. I had the good fortune of attending a workshop about character building with the late, great Paula Danziger. I share Paula's gem when I teach my quirky character workshop: "What is your character hiding in his/her closet?"
29. I've presented at regional conferences in New England, Pennsylvania, Michigan and Florida. Each has its own flavor and vibe. Hard-working regional advisers and volunteers make it all happen.
GIVING BACK . . .
30. The Bulletin is brimming with information, articles and great artwork. You can contribute articles and artwork to The Bulletin.
31. S.C.B.W.I. members find unique ways to give back. The Fairy Godsisters (Thalia Chaltas, Valerie Hobbs, Mary Hershey, Robin La Fevers and Lee Wardlaw) pooled their resources to provide an annual scholarship to the international conference as a way to give back for several years. Jay Asher has done the same.
32. Want to help bring an author to a school that can't afford an author visit? Consider donating to the Amber Brown Grant.
33. Want to help fund a scholarship for someone to attend one of the summer or winter conferences? Consider honoring someone by donating in his/her name to the Tribute Fund.
34. More than a decade ago, I joined the West Palm Beach critique group run by the magnificent Sylvia Andrews.
35. When Sylvia asked Linda Marlow and me to run our own S.C.B.W.I. critique group in the Palm Beach Gardens, we said, "Yes!" Seven years later, our group of compassionate, talented writers and artists is still going strong . . .
36. Linda Marlow and I volunteered to drive speakers to the FL regional conference. We picked up Arthur Levine -- author and publisher -- a real mensch. He asked about my new book -- How to Survive Middle School -- and I told him how my Jewish main character wanted to the the next Jon Stewart, but first had to survive 6th grade. Arthur invited me to speak at the BK Book Festival he helps put on every year to benefit his synagogue and local bookstore, Watchung Booksellers. I combined the event with a couple school visits and had a great time!
37. When people tell me they want to write or illustrate books for children, I tell them five letters that might change their lives . . . "S.C.B.W.I."
COMMUNITY . . .
38. S.C.B.W.I. is the most generous community I know of. Steve and Lin began that spirit of generosity, of living and learning and passing it on. Now, thousands of people around the world continue that tradition of providing help and hope.
39. I've left every conference I've ever attended (both international and regional) with at least one new friend. (Hi, Margie, Lisa, Melinda, Gail, Carole, Katie, Ena, Paul . . . )
40. The wonderful people I've met through my local S.C.B.W.I. critique groups are among the most precious in my life. They enrich my life daily.
These 40 reasons don't begin to cover how grateful I am for Lin and Steve and the amazing community that is S.C.B.W.I. I hope this organization continues to grow and flourish, because while those initials may be difficult to pronounce, they are filled with magic.
Thank you.
 |
| Lin Oliver and Steve Mooser |
So they went about the business of creating it.
When they started S.C.B.W.I. (SOCIETY OF CHILDREN'S BOOK WRITERS AND ILLUSTRATORS), Lin and Steve couldn't have imagined the people around the globe they'd positively impact . . . or how hard those initials would be to pronounce. "Scubahwi?"
Here's an homage to my favorite community on the planet:
40 REASONS I LOVE S.C.B.W.I.
DREAMS COME TRUE . . .
1. I connected with my uber-agent, Tina Wexler, from International Creative Management through the S.C.B.W.I. message board.
2. Jay Asher's dreams came true. Did you know that before Jay became a best-selling author, he won S.C.B.W.I. creative writing contests and grants with his funny, clever entries?
3. Bruce Hale, author of the popular Chet Gecko series, met his agent, Steven Malk, at the S.C.B.W.I. conference in L.A. in 1998. (That's the same year that Steven Malk connected with Sonya Sones and acquired her fabulous novel in verse, Stop Pretending: What Happened When My Big Sister Went Crazy.)
4. Debbie Ridpath Ohi, illustrator and writer, exuberantly shares how S.C.B.W.I. made her dreams come true in this YouTube video:
5. With international reach and local critique groups, S.C.B.W.I. is helping make dreams come true every day.
RAISING THE BAR . . .
6. Thanks to the standards, education and support of this organization, the quality of children's literature has increased exponentially.
7. If writers or illustrators are members of S.C.B.W.I., an agent/editor/art director knows they have taken at least one giant step toward professionalism.
8. It's good to have the combined muscle and companionship of a huge, world-wide organization. It makes one feel less alone in an inherently lonely profession.
9. With master classes by Tomie dePaola and Richard Peck, one can't help but improve one's craft. (I shared the Richard Peck DVD with our local critique group, and it was a big hit. "Pass the popcorn, please.")
OPPORTUNITIES . . .
10. As S.C.B.W.I. grows, they try to provide opportunities for the pre-published and the published. Their newest offering is a grant for students studying illustration to attend conferences.
11. The year I was nominated for the Sue Alexander Award, I'd never felt so much validation. Thank you!
12. Speaking of opportunities, in an effort to recognize an often ignored genre of children's literature, S.C.B.W.I. created the Sid Fleischman Humor Award.
13. And I had the great pleasure of winning the award in 2009 for my book As If Being 12-3/4 Isn't Bad Enough, My Mother Is Running for President!
14. S.C.B.W.I. flew me to L.A. to accept the award. You'd think I'd be nervous giving a speech in front of 1,000 people, but they were my people. My community of children's book lovers. And it turned out that surrounded by my community and my friends and family, I had the best weekend of my life.
 |
| Me, Hubby, Agent, Tina Wexler, friend, Riley Roam in L.A., August 2009 |
15. There are so many grants, awards, etc. available. Did you know that Ruta Sepetys's novel, Between Shades of Gray, is now a New York Times best-seller and has received 4 starred reviews . . . and in 2007, Ruta won an SCBWI Work-in-Progress Grant?
16. Three years before that, Cynthia Lord won a Work-in-Progress Grant. She went on to write several books: Touch Blue, Hot Rod Hamster, Happy Birthday Hamster and her Newbery-honor-winning book, Rules.
17. Which grant or award will have YOUR name on it?
NATIONAL CONFERENCES . . .
18. I had the great pleasure of attending the national summer conference in L.A. three times -- 2001, 2005 and 2009. And I hope to get there this year, too. Don't forget the New York conference, January 27th - 29th!
19. At the conference in 2009, I met amazing people like Karen Cushman, Ellen Hopkins, Varian Johnson and Mary Hershey. The authors, illustrators, editors and agents are all so accessible at these conferences!
 | ||
| Karen Cushman |
 | ||
| Ellen Hopkins |
 |
| Varian Johnson |
 |
| Mary Hershey |
20. I remember hearing Sherman Alexie's opening talk and thinking, "Well, I could leave right now and I've gotten so much out of this conference." But of course, there was more. Much more!
21. Dove Bars. Yeah, S.C.B.W.I. is like that. Served those delicious treats between sessions.
22. And crazy, wild parties. The D.J. at the party I attended said, "Who knew children's book authors and illustrators were such a wild bunch?" Hadn't he ever read Where the Wild Things Are? The wild things are at S.C.B.W.I. conference parties!
 |
| Dan Santat and others get wild at the 40 Winks Pajama Party in L.A. |
LOCAL CONFERENCES . . .
23. While S.C.B.W.I. has a global reach, it's the local component that gives members access to great resources, like critique groups, meet-ups and conferences. (Check out regional events here.)
24. I floundered for years after I moved from Philadelphia to South Florida. Where were my people? More than a decade ago, Linda Bernfeld, Saundra Rubiera and a group of dynamic volunteers put on an amazing conference with excellent speakers in a school cafeteria -- serving lunch and dessert -- all for $35. I had found my tribe.
25. I've gone to nearly every annual Florida conference since, watching it grow and flourish.
26. It was at the regional conference that Sid Fleischman reached over and touched my arm and said, "That was a fantastic speech you gave." Sid Fleischman! I'm so, so grateful I got to meet this kind, gentle and generous man.
 |
| Me and Sid Fleischman, 2008 |
27. It was at the FL regional conference that I heard Linda Sue Park talk about story structure -- point of view, showing, not telling, first person vs. third person, etc. (If you want to hear Linda Sue Park and Rebecca Stead talk about winning the Newbery Medal and other stuff, check out Katie Davis's Brain Burps Podcast.)
28. I had the good fortune of attending a workshop about character building with the late, great Paula Danziger. I share Paula's gem when I teach my quirky character workshop: "What is your character hiding in his/her closet?"
29. I've presented at regional conferences in New England, Pennsylvania, Michigan and Florida. Each has its own flavor and vibe. Hard-working regional advisers and volunteers make it all happen.
GIVING BACK . . .
30. The Bulletin is brimming with information, articles and great artwork. You can contribute articles and artwork to The Bulletin.
31. S.C.B.W.I. members find unique ways to give back. The Fairy Godsisters (Thalia Chaltas, Valerie Hobbs, Mary Hershey, Robin La Fevers and Lee Wardlaw) pooled their resources to provide an annual scholarship to the international conference as a way to give back for several years. Jay Asher has done the same.
32. Want to help bring an author to a school that can't afford an author visit? Consider donating to the Amber Brown Grant.
33. Want to help fund a scholarship for someone to attend one of the summer or winter conferences? Consider honoring someone by donating in his/her name to the Tribute Fund.
34. More than a decade ago, I joined the West Palm Beach critique group run by the magnificent Sylvia Andrews.
 | |
| Sylvia with author, Sharon Creech at Books & Books |
35. When Sylvia asked Linda Marlow and me to run our own S.C.B.W.I. critique group in the Palm Beach Gardens, we said, "Yes!" Seven years later, our group of compassionate, talented writers and artists is still going strong . . .
 | ||
| Laura, Amy, Ruth, Linda, Donna, Becca, Sylvia, Riley (Not shown: Dan, Kelly, Stephen King, Gail, Amy, Ann, Carmen, Felice, J.K. Rowling, Janice, Jennifer, James Patterson, Maryann and Peggy) |
36. Linda Marlow and I volunteered to drive speakers to the FL regional conference. We picked up Arthur Levine -- author and publisher -- a real mensch. He asked about my new book -- How to Survive Middle School -- and I told him how my Jewish main character wanted to the the next Jon Stewart, but first had to survive 6th grade. Arthur invited me to speak at the BK Book Festival he helps put on every year to benefit his synagogue and local bookstore, Watchung Booksellers. I combined the event with a couple school visits and had a great time!
 | |||
| Arthur Levine, Margo Sage-EL (owner of Watchung Booksellers) and me |
37. When people tell me they want to write or illustrate books for children, I tell them five letters that might change their lives . . . "S.C.B.W.I."
COMMUNITY . . .
38. S.C.B.W.I. is the most generous community I know of. Steve and Lin began that spirit of generosity, of living and learning and passing it on. Now, thousands of people around the world continue that tradition of providing help and hope.
39. I've left every conference I've ever attended (both international and regional) with at least one new friend. (Hi, Margie, Lisa, Melinda, Gail, Carole, Katie, Ena, Paul . . . )
40. The wonderful people I've met through my local S.C.B.W.I. critique groups are among the most precious in my life. They enrich my life daily.
 |
| Sylvia, Dan, me, Linda and Riley celebrating my first book's release |
These 40 reasons don't begin to cover how grateful I am for Lin and Steve and the amazing community that is S.C.B.W.I. I hope this organization continues to grow and flourish, because while those initials may be difficult to pronounce, they are filled with magic.
Thank you.
October 24, 2011
Podcasts for Children's Book Nerds
Since I never seem to have enough time to read everything I want to, I started listening to books in my car. That led to downloading and listening to podcasts.
I discovered two great ones I'd love to share:
1. Wordplaypodcast by Nathan Bransford, James Dashner and Jeff Savage. This podcast comes out weekly. There is often a fun, fascinating guest, and once a month they create an episode for young writers.
2. Author/illustrator, Katie Davis, has been creating her Brain Burps Podcast for some time, so there are a lot of episodes to choose from. So far, I've listened to Bruce Coville share his experiences in Egypt during the mass protests, Rebecca Stead and Linda Sue Park talk about winning the Newbery and Nancy Werlin share how much she earns annually.
These podcasts help me learn more about my field while I'm in the car, working out at the gym or simply taking a walk.
Please share your favorite podcast in the comment section.
I discovered two great ones I'd love to share:
1. Wordplaypodcast by Nathan Bransford, James Dashner and Jeff Savage. This podcast comes out weekly. There is often a fun, fascinating guest, and once a month they create an episode for young writers.
2. Author/illustrator, Katie Davis, has been creating her Brain Burps Podcast for some time, so there are a lot of episodes to choose from. So far, I've listened to Bruce Coville share his experiences in Egypt during the mass protests, Rebecca Stead and Linda Sue Park talk about winning the Newbery and Nancy Werlin share how much she earns annually.
These podcasts help me learn more about my field while I'm in the car, working out at the gym or simply taking a walk.
Please share your favorite podcast in the comment section.
July 15, 2010
Beginnings . . .
When I finish writing a novel, I don't rush into a new one. I can't.
I read once that best-selling novelist, Jodi Picoult, begins a new novel the minute she finishes writing her old one. Immediately. If I did that, the new novel would sound a whole lot like the old one.
I spend about a month (sometimes longer) emptying, letting the characters and their story go. I also get neurotic, convinced I'm doing nothing of importance with my life and must get a new career. Immediately. I drift. I get irritated with myself for "wasting" time and not writing. I'm cranky sometimes and joyous others. Mostly cranky. (It's no fun living with a writer.)
And then something happens. I start to notice things and think, now THAT would make a great character name. What a funny tidbit. I've got to include THAT in my next book.
Newbery Medal winner, Linda Sue Park, calls this period, where she's sure she must get a job teaching (not writing), RESETTING from one book to the next. I love that term because it's apt. I call this process FILLING THE WELL.
And once it begins, it's a lot of fun -- preparing the mind to begin an entirely new project, full of hope and potential.
If YOU'RE filling YOUR well, here are a few gems from the book: THE SECRET MIRACLE: THE NOVELIST'S HANDBOOK, edited by Daniel Alarcon, which incidentally, came out the same day my new novel did -- April 13, 2010.
"The best first chapters . . . should contain the DNA of the entire book in miniature." Jonathan Lethem
"You shouldn't write a check with your first chapter that your novel can't cash." Adam Mansbach
On the difference between writing a novel and a short story: "Novels are longer and have more shit in them." Stephen King
"I try to get a thousand new words every writing day, five days a week. Fifty-two weeks a year. Try." Michael Chabon
On moving forward when you are blocked:
"Go for more walks. Don't take a book. Throw my mind on its own resources." Stephen King
"I just write anyway, even knowing it's lousy. Ten pages of bad writing are more useful to me than giving up for the afternoon -- let alone the week, or the year." Daniel Handler
If you are beginning, I leave you with this simple, but brilliant quote by Lewis Carroll: "Begin at the beginning and go on till you come to the end; then stop."
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